Archive
This is a selection of paintings that have found their homes.
Check here for available work, or contact me to commission something similar.
8” x 8”, acrylic, photo transfer, graphite and collage on 3/4” cradled wood panel.
SOLD
This work on paper features highly abstracted elements of the landscape: the grain fields, blue lakes, fertile black earth, and the snow pack of winter. Named after a community in Alberta. Can you find it on a map?
14”x11”, acrylic and water soluble graphite on Arches #140R watercolor paper, mounted on 1.5” deep cradled wood panel.
SOLD
This work features highly abstracted elements of the landscape: the grain fields, blue lakes, fertile black earth, and the snow pack of winter. Named after a community in Alberta. Can you find it on a map?
10”x10”, acrylic and drawing media on cradled wood panel.
SOLD
This work features highly abstracted elements of the landscape: the grain fields, blue lakes, fertile black earth, and the snow pack of winter. Named after a community in Alberta. Can you find it on a map?
10”x10”, acrylic and drawing media on cradled wood panel.
SOLD
The Unfenced paintings are inspired by the wide open landscapes in north central Alberta. This painting captures the dusting of early winter snow, golden straw poking through in places, under the pale blue sky.
40”x30”, acrylic and drawing media on canvas
SOLD
Snow Gulley Cloud Shadow. This is one of the first prairie paintings, inspired by the landscape of Lori’s new home in Smoky Lake, AB. The contrast of man-made grids and the organic features of the land and light is a big part of the interplay in this piece.
24”x18”, acrylic and drawing media on Arches 140# CP paper mounted on cradled wood panel.
SOLD
This large PortTown panel incorporates organic drawing, texture and crisp geometry that characterizes Lori’s very popular and almost sold-out PortTown series.
36”x60”, acrylic, drawing media and photo transfer on wood panel, framed in narrow matte black shadow frame.
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36”x36”, acrylic, photo transfer and drawing media on cradled wood panel'
Collection of the Artist
This painting appears on the cover of the jazz album “Stories Intervweaved, Threads Bared” by Kevin Elaschuk.
10” x 10”, acrylic and drawing media on stone paper
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 24”, acrylic and drawing media on mylar
Collection of the Artist
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 72”, acrylic and drawing media on canvas
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 72”, acrylic and drawing media on canvas
SOLD
This piece reflects Lori’s interest in composition using large abstract shapes, inspired by aerial photography of the south arm of the Fraser River, which forms part of the Port of Vancouver. This painting is one of the last of the ‘PortTown’ series.
20”x20”, acrylic and drawing media on wood panel.
SOLD
This piece reflects Lori’s interest in composition using large abstract shapes, inspired by aerial photography of the south arm of the Fraser River, which forms part of the Port of Vancouver. This painting is one of the last of the ‘PortTown’ series.
20”x20”, acrylic and drawing media on wood panel.
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
24” x 48”, acrylic and drawing media on canvas
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 60”, acrylic, photo transfer and drawing media on cradled wood panel
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
16” x 20”, acrylic, photo transfer and drawing media on cradled wood panel
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 72”, acrylic and drawing media on canvas
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36” x 24”, acrylic and drawing media on mylar
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
48”x48”, acrylic and drawing media on cradled wood panel
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
48”x48”, acrylic and drawing media on cradled wood panel
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consituents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
36”x36”, acrylic, photo transfer and drawing media on canvas
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
This painting won First Prize in the 2019 Federation of Canadian Artists “Abstraction” exhibition.
48” x 36”, acrylic, photo transfer and drawing media on cradled wood panel.
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consituents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
51” x 42”, acrylic and drawing media on canvas
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
30: x 24”, acrylic, photo transfer and drawing media on cradled wood panel
SOLD
This painting is from the Porttown series. The combination of angular structures and organic shapes, muted colors, and misty/rainy environment reflect the edge where port city meets water. This edge is a highly sought after by many consitutents: industry, national security, high priced condo developers, nature lovers, environmentalists, and the people and animals who have lived here for millenia.
20” x 24”, acrylic, photo transfer and drawing media on cradled wood panel
SOLD
Multiple perspectives influence this painting, a highly abstracted prairie landscape.
12” x 12”, oil paint and chalk pastel on 1.5” deep cradled wood panel
SOLD